I really enjoyed the Shanks episode…he’s really smart and lucid and I appreciate his recollections more than the record!
Dweezil and Shanks are right on about the “Bullethead” intro…it is the Dunlop/EVH Flanger with a cocked Dunlop/EVH wah-wah along with the delays that were mentioned. This was the same intro device (minus the wah-wah) that was used in the original versions of “Bullethead” and it is the same Flanger setting on the “Outta Love Again” intro. Edward revealed these settings for “Bullethead” intro/“Outta Love Again” intro to Guitar World’s Chris Gill back in 2015 which got published in a 2016 issue of Guitar World. These two intros were the only deviation from Edward’s standard setting on the MXR Flanger. It’s simply the same setting except the “Speed” knob is maxed out:
Here’s the “normal” setting which was copied by Dunlop for the “EVH” button on the Dunlop/EVH Flanger:
The fact that Edward used the Dunlop/EVH Flanger and the wah on the intro to the ‘A Different Kind of Truth’ version of “Bullethead” makes it sound A LOT different than the well known flanger/feedback intro to “Outta Love Again” and the early live versions of “Bullethead” which was of course the original Reticon chip MXR Flanger with feedback.
I do like a lot of parts on this record. I like Wolf’s sound a lot in general. I think the drums sound great. Many will complain about the brick-walling on the final version of the album…I don’t care. The record is what it is. I’m glad it happened and there’s a lot here to appreciate though I don’t dig it as a whole. My taste, and I don’t begrudge anyone who really likes it!
"Shanks" for the latest episode, Dweezil! Just too bad he overstates everything -- much like his production-style. So obvious + overdone, it's a pancake instead of a crepe. imho.
"Say something once, why say it again?" - David Byrne, 1977
I knew there was a reason I started listening to ADKOT yesterday and today! Hell Yes Dweezil!!!! Can’t wait to listen to this episode. This is the album that should have come after FW. It kicks ass!
JAMIES CRYIN SECRET:I recently found something I’ve never heard anyone talk about vh. In Jamie’s cryin, right before the line “she said give me, give me a call sometime” at 1:04 Alex messes up and goes to the chorus drum beat instead of back to the pre chorus beat and then catches his mistake at the perfect time and falls right in. If you listen you’ll catch it. It really shows that the song was written in the studio and how they played live
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I really enjoyed the Shanks episode…he’s really smart and lucid and I appreciate his recollections more than the record!
Dweezil and Shanks are right on about the “Bullethead” intro…it is the Dunlop/EVH Flanger with a cocked Dunlop/EVH wah-wah along with the delays that were mentioned. This was the same intro device (minus the wah-wah) that was used in the original versions of “Bullethead” and it is the same Flanger setting on the “Outta Love Again” intro. Edward revealed these settings for “Bullethead” intro/“Outta Love Again” intro to Guitar World’s Chris Gill back in 2015 which got published in a 2016 issue of Guitar World. These two intros were the only deviation from Edward’s standard setting on the MXR Flanger. It’s simply the same setting except the “Speed” knob is maxed out:
Here’s the “normal” setting which was copied by Dunlop for the “EVH” button on the Dunlop/EVH Flanger:
The fact that Edward used the Dunlop/EVH Flanger and the wah on the intro to the ‘A Different Kind of Truth’ version of “Bullethead” makes it sound A LOT different than the well known flanger/feedback intro to “Outta Love Again” and the early live versions of “Bullethead” which was of course the original Reticon chip MXR Flanger with feedback.
I do like a lot of parts on this record. I like Wolf’s sound a lot in general. I think the drums sound great. Many will complain about the brick-walling on the final version of the album…I don’t care. The record is what it is. I’m glad it happened and there’s a lot here to appreciate though I don’t dig it as a whole. My taste, and I don’t begrudge anyone who really likes it!
"Shanks" for the latest episode, Dweezil! Just too bad he overstates everything -- much like his production-style. So obvious + overdone, it's a pancake instead of a crepe. imho.
"Say something once, why say it again?" - David Byrne, 1977
Really enjoyed having John sharing a rarely experienced process with all of us. Thanks John and Dweezil. Home run.
I knew there was a reason I started listening to ADKOT yesterday and today! Hell Yes Dweezil!!!!
Can’t wait to listen to this episode. This is the album that should have come after FW. It kicks ass!
JAMIES CRYIN SECRET:I recently found something I’ve never heard anyone talk about vh. In Jamie’s cryin, right before the line “she said give me, give me a call sometime” at 1:04 Alex messes up and goes to the chorus drum beat instead of back to the pre chorus beat and then catches his mistake at the perfect time and falls right in. If you listen you’ll catch it. It really shows that the song was written in the studio and how they played live